Making of "Field of Wishes"
"I truly hope that my art can create change. I know my art might only have a small impact, but I feel a strong responsibility for the mark I leave behind. With the limited time I have in this world, I promise to give my best effort."
- Sonam Dolma Brauen

marina abramović institute @ neumarkt
Performance as guest of MAI (Marina Abramović Institute) at Theater Neumarkt and Kunsthaus Zurich
theater neumarkt and mai presented a weekend dedicated to long-term performance. the theater hosted all aspects of the institute: exercises of the abramović method, live long-term performances, an artist workshop and screenings from the history of performance art. all spaces of the theater were activated, and the audience was invited to move freely in the space.
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Encountering the Spiritual in Contemporary Art
An in-depth and current investigation of how the spiritual is manifestly present in contemporary art
Encountering the Spiritual provides an alternative to the main currents of presentation and interpretation prevalent in contemporary art, appealing to believers, agnostics, and inveterate skeptics alike. This essential publication demonstrates that the need to address the fundamental questions of life are both innate and ongoing.
Encountering the Spiritual in Contemporary Art >> Yale University Press
Distributed for the Nelson-Atkins Museum of Art

REIMAGINE: HIMALAYAN ART NOW
EXHIBITION at Wrightwood 659 Chicago
Nov 8th 2024 - Feb 15h 2025
An exhibition in collaboration with the Rubin Museum of Art
Contemplate and celebrate what Himalayan art means now with a Museum-wide exhibition of artworks by over 30 contemporary artists, many from the Himalayan region and diaspora and others inspired by Himalayan art and cultures.
With Sonam Dolma Brauen (she/her) with her Art Installation piece Field of Wishes
b. 1953, Kongpo, Tibet; lives in Bern, Switzerland; works in Niederwald, Switzerland

NEW STUDIO in Niederwald, Switzerland
Sonam renovated an old hay shed in the Swiss mountains into her new Art Studio.